Pilot Namiki Yukari Maki-e Fountain Pen - Grapevine. In Japan, the grapevine has traditionally been associated with abundance, longevity, and fertility; as grapes are typically harvested in the fall, the Grapevine Namiki Yukari fountain pendisplays ripe gr
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Pilot Namiki Yukari Maki-e Fountain Pen – Grapevine. In Japan, the grapevine has traditionally been associated with abundance, longevity, and fertility; as grapes are typically harvested in the fall, the Grapevine Namiki Yukari fountain pendisplays ripe grapes on the vine with autumnal leaves.
Namiki Yukari Grapevinewas made withthe Togidashi-Hira Maki-e technique (Burnished-Flat Maki-e). First, Togidashi Maki-e (Burnished Maki-e) is used:after the background and scenery are painted with lacquer, gold or silver powder is sprinkled over it and it is sealed withUrushi lacquer. After drying, the surface is lightly burnished with charcoal, revealing the design underneath. Then, Hira-Maki-e (Flat Maki-e) is usedtorender the main design through layers of metal powder and lacquer. Grapevine wascreated by a group of artisans known as “Kokkokai,”formed in 1931 around maki-e artist Gonroku Matsuda.
Namiki’s Yukari Collection illustrates natural imagery of the four seasons through various techniques, often in combination, includingTogidashi Maki-e, or burnished-raised maki-e, and Raden.The making of a Maki-e piece is an extremely labor- and time-intensive process involving a repetitive series of applying layers of lacquer, drawing the design outline, sprinkling gold and silver powders to fill in the designs, and polishing to achieve a lustrous surface. The lacquered main design is filled in with the carefully sprinkled gold and silver powders, and then several additional layers of lacquer are applied. Once these layers harden, the surface is polished many times.A finished product can take up to 3 months, and some of the pieces go through the repetitive lacquer-drawing-sprinkling-polishing process up to 130 times.
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