Pilot NamikiYukari Royale Fountain Pen -Lionessand Cubs.Lioness and Cubs features a fierce, dynamic lioness at the top of a steep incline, looking down on her two cubs. Lionshave beensaid to leave their cubs at the bottom of a ravine to challenge them to c
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Pilot NamikiYukari Royale Fountain Pen -Lionessand Cubs.
Lioness and Cubs features a fierce, dynamic lioness at the top of a steep incline, looking down on her two cubs. Lionshave beensaid to leave their cubs at the bottom of a ravine to challenge them to climb out themselves, encouraging them to become strong and independent. Here the mother lioness watchesher cubs and waits for them to join her.The lions’ bodies have been detailed precisely with minute attention paid even to their claws; the mother’s body features subtle yet stunning raden accents. Namiki Yukari Royale – Lioness and Cubs was made by master maki-e artist Furuhara Shoutaku.
The pens in Namiki’s Yukari Royale Collection feature elegant designs on a large ebonite body and size #20 18k gold nib. The motifs are created through the highly advanced Togidashi-Taka Maki-e technique(Burnished-Raised Maki-e), alsoapplied in the creation of pens in Namiki’s Emperor collection. First, Togidashi Maki-e (Burnished Maki-e) is used; the background and scenery are painted with lacquer, which are then sprinkled with gold or silver powder and sealed withUrushi lacquer. After drying, the surface is lightly burnished with charcoal, revealing the design underneath. Then, the main design is further rendered through additional use of materials like lacquer and charcoal powder. Finally, Hira-Maki-e (Flat Maki-e) is usedto create thelast details with layers of metal powder and lacquer. (The Pilot-Namiki website also provides a fascinatingpeekinto the steps of the processhere.)
The making of a maki-e piece is an extremely labor- and time-intensive process involving a repetitive series of applying layers of lacquer, drawing the design outline, sprinkling gold and silver powders to fill in the designs, and polishing to achieve a lustrous surface. The lacquered main design is filled in with the carefully sprinkled gold and silver powders, and then several additional layers of lacquer are applied. Once these layers harden, the surface is polished many times.A finished product can take up to 3 months, and some of the pieces go through the repetitive lacquer-drawing-sprinkling-polishing process up to 130 times.
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